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Re: [TANGO-L] Teaching Ballroom and Argentine Tangos
- To: TANGO-L @MITVMA.MIT.EDU
- Subject: Re: [TANGO-L] Teaching Ballroom and Argentine Tangos
- From: Juan Fabbri <JFabbri @TANGOCITY.COM>
- Date: Fri, 20 Jun 2003 21:13:07 -0300
- Comments: To: "Frank G. Williams" <frankw @MAIL.AHC.UMN.EDU>
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- Reply-to: Juan Fabbri <JFabbri @TANGOCITY.COM>
- Sender: Discussion of Any Aspect of the Argentine Tango <TANGO-L @MITVMA.MIT.EDU>
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- Thread-topic: [TANGO-L] Teaching Ballroom and Argentine Tangos
Frank
I stop myself of getting into this discussions for obvious reasons ....
but .. must say ..
I LOVE your last phrase .. "don't confuse an empty shell with a lobster dinner" ...
just a perfect definition of what's all this about ...
with my kindest regards
Juan Fabbri
President & CEO
Solo Tango - Buenos Aires
-----Mensaje original-----
De: Frank G. Williams [mailto:frankw @MAIL.AHC.UMN.EDU]
Enviado el: Vie 20/6/03 20:25
Para: TANGO-L @MITVMA.MIT.EDU
CC:
Asunto: Re: [TANGO-L] Teaching Ballroom and Argentine Tangos
Tango Guy and friends,
The typical fraud, whether owing to 'business sense', to deceit or to
ignorance, is to teach that Argentine tango is a dance that can be
legitimately mimicked. It is insufficient to teach that the external forms
of Argentine tango are somewhat different from other dances. It is true but
a fraud of omission. That early phase of the learning process is merely
preparatory. It omits the detail that, oh by the way, this is a dance that
exists because it is an emotional response to a particular body of folk
music. It omits the detail that the dance, in combination with particular
poetry and music evokes a way of thinking that is a unique cultural
expression of a people. Minor details, those! At the risk of sounding
pedantic - which, you know, has never bothered me in the past! ;-) -
Ballroom &/or Int. Tango is the shell that remains after you take the
'Argentine' OUT of tango. Enjoy the pretty shell, but don't confuse an
empty shell with a lobster dinner.
Frank - Mpls.
> -----Original Message-----
> From: Discussion of Any Aspect of the Argentine Tango [mailto:TANGO-
> L @MITVMA.MIT.EDU] On Behalf Of Tango Guy
> Sent: Friday, June 20, 2003 3:53 PM
> To: TANGO-L @MITVMA.MIT.EDU
> Subject: Re: [TANGO-L] Teaching Ballroom and Argentine Tangos
>
> Michael; It would be a nice idea to solicit other Tango-L subscribers'
> experience and thoughts about Argentine Tango (AT) as taught by Ballroom
> teachers. These experiences could then be included in your USABDA article.
>
> One thing everyone needs to keep in mind is that there are many legitimate
> Ballroom teachers and dance studios who teach AT well and teach it
> correctly. One of my own AT teachers is also a Ballroom teacher and dancer
> as well as being a fine advanced AT dancer. There IS fraudulent teaching
> of AT that unfairly casts a bad light on legitimate Ballroom teachers and
> studios. But one needs to be careful of accusing anyone of fraud. There is
> a style of legitimate BT that gets called "Argentine Tango". It is the
> standard BT with AT-like steps and figures added. (Perhaps this needs to
> be called Argentine Style Ballroom Tango or something else less confusing.
> Any suggestions?) In addition, for a long time, before our own Argentine
> Tango became popular in the US, regular BT was often called "Argentine
> Tango" to emphasize the Argentine origin of Tango and not to deceive
> anyone. There is much confusion between these "Argentine Tangos" and
> fraudulent-hearted teachers are capitalizing on the
> current popularity of AT and on the confusion of the general public to
> make money. Both BT and AT teachers need to make sure their students
> understand the dangers and the differences so they are protected and not
> mislead.
>
> Warm Regards
> Tango Guy
>
>
>
> "Sa, Na-W, Na-C, Na-E, Misc" <tangomaniac @JUNO.COM> wrote:
> Barbara Garvey wrote about ballroom teachers who teach Argentine Tango
> and wonders about their teaching skills.
> I agree with you Barbara. I've seen some ballroom teachers teach AT as if
> it was a ballroom dance, NEVER mentioning close embrace or even lining up
> buttons to buttons. I laugh at their attempts to teach parada when the
> two partners are so far apart. Well, I'm getting my revenge on these
> imposters who teach AT.
>
> I've started writing a column for the United States Amateur Ballroom
> Dance Association's (USABDA) bi-monthly magazine. My next article is
> called "It's Argentine Tango, Stupid" which describes several differences
> between American and Argentine Tangos. (The title is a take off of the
> Jim Carville's slogan in Bill Clinton's presidential campaign "It's the
> economy, stupid.") It will be interesting to see if the editor prints
> it.
>
> Michael Ditkoff
> Washington, DC
> Counting the days to the NY Tango Festival July 24-27.
>
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